KODOKAN JUDO ATEMI WAZA English JOSE A CARACENA 9781366614537 Books
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When Shihan Jigoro Kano developed his new method of jujutsu, Kodokan Judo, he established three major technical groups nage waza, katame waza and atemi waza. It has been more than 130 years since the founding of Judo and both, techniques and goals have evolved in different ways. Nowadays, judo is practiced mainly as a sport competition, giving priority to nage waza and katame waza, while atemi waza and the study of vital points (kyusho) are hardly practiced. After many years of researching, compiling and translating old writings with Jigoro Kano's opinion about atemi and self-defense, we have performed this study of the official classification of atemi and kyusho, where are included unpublished documents of the founding master of Judo. Color book.
KODOKAN JUDO ATEMI WAZA English JOSE A CARACENA 9781366614537 Books
Jose Caracena's "Kodokan Judo Atemi Waza" fills a crucial gap in modern knowledge about Judo, and provides insight into the third, less-explored pillar of Kano Jigoro's fighting system. Ultimately, this work is geared more toward Judokas and, potentially, Japanese jujitsu practitioners. The book treats vital points and depicts atemi waza in later chapters; this isn't its primary focus, and it understates actual applications -- particularly as it involves classical use to break balance and set up throws. (Atemi waza striking isn't karate striking, as I learned in Japanese jujitsu.)Caracena quotes extensively from Kano's "Judo Kyohan," a 1931 work Caracena also has translated into both English and Spanish. Kano urged training Judoka in atemi waza first, for immediate self-defense applications, and also sought to incorporate striking more into randori (sparring) ahead of his death. Later curricula largely dropped his developments and preserved some aspects of atemi waza in kata. This is unfortunate, because Caracena's book unequivocally demonstrates Kano applied the same level of scientific inquiry, including sparring with boxers, to select what was best and most effective from a medley of traditional Japanese jujitsu styles. Ultimately, Kano applied the same rigor to developing atemi waza that he did to systemizing the most effective throws, grappling and locks culled from traditional jujitsu.
Caracena's call to action -- to revive the third pillar of this art -- isn't unique to Judo. Karateka are exploring Funikoshi's nine "lost throws," along with other grappling aspects of Okinawan karate dropped from modern competition. Kirk Lawson has dusted off and revived aged bare-knuckle boxing manuals that depict the grappling under the old London Prize Ring Rules. He also wrote "Banned from Boxing," a book that offers a history of these throws, their rationale, and a how-to for application. Caracena's point is well-argued, and the power of Judo is evident not only in its proven effectiveness, global practice and status as an Olympic sport, but in the arts it has spawned (Brazilian Jiu-Jitsu, Russian Sambo, and Kudo among them), but in its influence in both police and military combatives.
This brings me to the one area where the book falls short: The execution of atemi, its full uses, and the vast difference between atemi's application and the application of, say, karate, isn't fully explored. Reincorporating atemi waza actually could be easier today, given the widespread use of these strikes -- though not in the same way Kano necessarily imagined -- in combatives courses that use special body and face shielding to allow for hard impact.
The better book from a perspective of pure technique is "My Method of Self-Defense" by Mikonosuke Kawaishi, and is a must-have for any martial arts or self-defense practitioner. This criticism may be unfair; Caracena's second title is "Study of the Official Classification of Atemi Waza and Kyusho." It's a nearly academic in its approach, and may serve as a first volume to elucidate Kano's thinking and underscore the importance placed on atemi by the Kodokan.
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KODOKAN JUDO ATEMI WAZA English JOSE A CARACENA 9781366614537 Books Reviews
A good little resource, the book production is not we’re it should be for the cost of this book. If you are a student of karate or Tradition Jujitsu there is not any info in this for you.
This is a very enjoyable book for anyone interested in traditional Judo. The author takes the writings of Jigoro Kano and weaves them together in an entertaining and informative way. This is one of my new favorites and I encourage my students to read it.
Maybe I have been in Judo/JiuJutsu too long. Nothing new.
The information presented here is something that, I believe, has been largely forgotten in Judo as the focus is more commonly on the sporting aspects of the art. The book looks like something that was created in a word processor program - i.e. not really formatted well, illustrations are low resolution. It'd be nice to see a new edition with professional formatting and illustrations.
Jose Caracena's "Kodokan Judo Atemi Waza" fills a crucial gap in modern knowledge about Judo, and provides insight into the third, less-explored pillar of Kano Jigoro's fighting system. Ultimately, this work is geared more toward Judokas and, potentially, Japanese jujitsu practitioners. The book treats vital points and depicts atemi waza in later chapters; this isn't its primary focus, and it understates actual applications -- particularly as it involves classical use to break balance and set up throws. (Atemi waza striking isn't karate striking, as I learned in Japanese jujitsu.)
Caracena quotes extensively from Kano's "Judo Kyohan," a 1931 work Caracena also has translated into both English and Spanish. Kano urged training Judoka in atemi waza first, for immediate self-defense applications, and also sought to incorporate striking more into randori (sparring) ahead of his death. Later curricula largely dropped his developments and preserved some aspects of atemi waza in kata. This is unfortunate, because Caracena's book unequivocally demonstrates Kano applied the same level of scientific inquiry, including sparring with boxers, to select what was best and most effective from a medley of traditional Japanese jujitsu styles. Ultimately, Kano applied the same rigor to developing atemi waza that he did to systemizing the most effective throws, grappling and locks culled from traditional jujitsu.
Caracena's call to action -- to revive the third pillar of this art -- isn't unique to Judo. Karateka are exploring Funikoshi's nine "lost throws," along with other grappling aspects of Okinawan karate dropped from modern competition. Kirk Lawson has dusted off and revived aged bare-knuckle boxing manuals that depict the grappling under the old London Prize Ring Rules. He also wrote "Banned from Boxing," a book that offers a history of these throws, their rationale, and a how-to for application. Caracena's point is well-argued, and the power of Judo is evident not only in its proven effectiveness, global practice and status as an Olympic sport, but in the arts it has spawned (Brazilian Jiu-Jitsu, Russian Sambo, and Kudo among them), but in its influence in both police and military combatives.
This brings me to the one area where the book falls short The execution of atemi, its full uses, and the vast difference between atemi's application and the application of, say, karate, isn't fully explored. Reincorporating atemi waza actually could be easier today, given the widespread use of these strikes -- though not in the same way Kano necessarily imagined -- in combatives courses that use special body and face shielding to allow for hard impact.
The better book from a perspective of pure technique is "My Method of Self-Defense" by Mikonosuke Kawaishi, and is a must-have for any martial arts or self-defense practitioner. This criticism may be unfair; Caracena's second title is "Study of the Official Classification of Atemi Waza and Kyusho." It's a nearly academic in its approach, and may serve as a first volume to elucidate Kano's thinking and underscore the importance placed on atemi by the Kodokan.
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